Search Results for Motion pictures -- Aesthetics.

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Author

Bordwell, David.

(4)

(4)

Mercado, Gustavo.

(3)

Thompson, Kristin, 1950-

(3)

Aracagök, Zafer.

(2)

Doğan, Bülent.

(2)

Staiger, Janet.

(2)

(2)

(1)

Arnheim, Rudolf

(1)

Barker, Jennifer Lynde.

(1)

Berliner, Todd, 1964- author.

(1)

Bettinson, Gary, author.

(1)

Frampton, Daniel

(1)

Galt, Rosalind.

(1)

(1)

Grodal, Torben Kragh.

(1)

Grønstad, Asbjørn.

(1)

Hadjioannou, Markos.

(1)

Higgins, Scott, 1968-

(1)

(1)

Karadoğan, Ali, 1970- author.

(1)

(1)

Mather, George.

(1)

McGee, Patrick.

(1)

Onat, Emrah Suat.

(1)

Palgrave Connect (Online service)

(1)

Pierson, Ryan, author.

(1)

Pollock, Griselda.

(1)

Prince, Stephen, 1955-

(1)

Project Muse, distributor.

(1)

Ranciere, Jacques.

(1)

Silverman, Maxim.

(1)

Simonton, Dean Keith.

(1)

Sitney, P. Adams.

(1)

Tamdoğan, Rabia Ünal

(1)

Taylaner, Selçuk.

(1)

Thompson, Kristin.

(1)

Walker, Elsie M., 1975-

(1)

Wilson, George M.

(1)

Yılmaz, Ertan.

(1)

Language

(30)

(6)

Publication Date

-

(9)

(5)

(4)

(3)

(3)

(2)

(2)

(1)

(1)

(1)

(1)

(1)

(1)

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Subject

Motion pictures -- Aesthetics.

(31)

Sinema -- Estetik.

(11)

Motion pictures -- Philosophy.

(4)

Cinematography.

(3)

Cinematography -- Technological innovations.

(2)

Creation (Literary, artistic, etc.)

(2)

Digital cinematography.

(2)

Memory in motion pictures.

(2)

Motion pictures -- Aesthetics

(2)

Motion pictures -- Political aspects.

(2)

Narration (Rhetoric)

(2)

Sinema -- Felsefe.

(2)

World War, 1939-1945 -- Motion pictures and the war.

(2)

Animated films -- History and criticism.

(1)

Animation (Cinematography) -- Philosophy.

(1)

Animation (Cinematography) -- Technique.

(1)

Anti-fascist movements in motion pictures.

(1)

Arnheim, Rudolf -- Criticism and interpretation.

(1)

Art -- Psychology.

(1)

Cinematography -- Special effects.

(1)

Cold War in motion pictures.

(1)

Cruelty in motion pictures.

(1)

Culture in motion pictures.

(1)

Electronic books.

(1)

Emotions and cognition.

(1)

Experimental films -- Europe -- History and criticism.

(1)

Experimental films -- United States -- History and criticism.

(1)

Fascism in motion pictures.

(1)

Fascist aesthetics.

(1)

Film criticism.

(1)

Film eleştirisi.

(1)

Film genres -- Psychological aspects.

(1)

Form (Aesthetics)

(1)

Godard, Jean-Luc, 1930- -- Criticism and interpretation.

(1)

Holocaust, Jewish (1939-1945), in motion pictures.

(1)

Identity (Psychology) in motion pictures.

(1)

(1)

Kültür, Sinemada.

(1)

(1)

Memento (Motion picture)

(1)

Motion picture audiences -- Psychology.

(1)

Motion picture audiences.

(1)

Motion picture industry -- Technological innovations.

(1)

Motion picture industry -- United States -- History.

(1)

Motion picture plays -- History and criticism.

(1)

Motion pictures -- China -- Hong Kong -- Aesthetics.

(1)

Motion pictures -- Italy -- Aesthetics.

(1)

Motion pictures -- Italy -- History.

(1)

Motion pictures -- Moral and ethical aspects.

(1)

Motion pictures -- Philosophy

(1)

Motion pictures -- Plots, themes, etc.

(1)

Motion pictures -- Sound effects.

(1)

Motion pictures -- Turkey -- History.

(1)

Motion pictures -- United States -- History -- 20th century.

(1)

Motion pictures -- United States -- History.

(1)

Motion pictures -- United States.

(1)

Motion pictures and the arts.

(1)

Motion pictures.

(1)

Movement, Aesthetics of.

(1)

Neuropsychologie.

(1)

Nuit et brouillard (Motion picture)

(1)

Okuyucu tepkisi eleştirisi.

(1)

PSYCHOLOGY -- Applied Psychology.

(1)

Philosophy in motion pictures.

(1)

Poetry in motion pictures.

(1)

Pornographic films -- History and criticism.

(1)

Psychic trauma in motion pictures.

(1)

(1)

Reader-response criticism.

(1)

Resnais, Alain, 1922-2014 -- Criticism and interpretation.

(1)

Sinema -- ABD -- Tarihçe.

(1)

(1)

Sinema -- Estetik

(1)

Sinema -- Türkiye -- Tarih.

(1)

Sinema endüstrisi -- ABD -- Tarihçe.

(1)

(1)

Sound in motion pictures.

(1)

Sound motion pictures.

(1)

Technology in motion pictures.

(1)

Violence in motion pictures.

(1)

Visual perception.

(1)

Visuelle Wahrnehmung.

(1)

Wong, Kar-wai, 1958- -- Criticism and interpretation.

(1)

Yaratma (Edebi, sanatsal, vb.)

(1)

Material Type

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13.

Cover image for From light to byte toward an ethics of digital cinema

From light to byte toward an ethics of digital cinema

From light to byte toward an ethics of digital cinema

Author

Hadjioannou, Markos. Project Muse.

Preferred Shelf Number

ONLINE

Electronic Access

Full text available:

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14.

Cover image for Film sanatı: bir giriş

Film sanatı: bir giriş

Film sanatı: bir giriş

Author

Bordwell, David. Thompson, Kristin. Yılmaz, Ertan. Onat, Emrah Suat.

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PN1995 B617 2012

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15.

Cover image for Late Godard and the Possibilities of Cinema.

Late Godard and the Possibilities of Cinema.

Late Godard and the Possibilities of Cinema.

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ONLINE

Electronic Access

http://www.jstor.org/stable/10.1525/j.ctt1ppvj2

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16.

Cover image for Digital visual effects in cinema the seduction of reality

Digital visual effects in cinema the seduction of reality

Digital visual effects in cinema the seduction of reality

Author

Prince, Stephen, 1955- Project Muse.

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ONLINE

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17.

Cover image for Screening the unwatchable spaces of negation in post-millennial art cinema

Screening the unwatchable spaces of negation in post-millennial art cinema

Screening the unwatchable spaces of negation in post-millennial art cinema

Author

Grønstad, Asbjørn. Palgrave Connect (Online service)

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ONLINE

Electronic Access

EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099

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18.

Cover image for Arnheim for film and media studies

Arnheim for film and media studies

Arnheim for film and media studies

Author

Higgins, Scott, 1968-

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ONLINE

Electronic Access

Click here to view

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19.

Cover image for Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Author

Pollock, Griselda. Silverman, Maxim.

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ONLINE

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EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538

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20.

Cover image for The filmmaker's eye learning (and breaking) the rules of cinematic composition

The filmmaker's eye learning (and breaking) the rules of cinematic composition

The filmmaker's eye learning (and breaking) the rules of cinematic composition

Author

Mercado, Gustavo.

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ONLINE

Electronic Access

ScienceDirect http://www.sciencedirect.com/science/book/9780240812175

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21.

Cover image for Pretty : film and the decorative image

Pretty : film and the decorative image

Pretty : film and the decorative image

Author

Galt, Rosalind.

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http://www.jstor.org/stable/10.7312/galt15346

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22.

Cover image for The filmmaker's eye : learning (and breaking) the rules of cinematic composition

The filmmaker's eye : learning (and breaking) the rules of cinematic composition

The filmmaker's eye : learning (and breaking) the rules of cinematic composition

Author

Mercado, Gustavo.

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ONLINE(342468.1)

Electronic Access

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23.

Cover image for Sinemacının gözü : sinemada kompozisyon kurallarını kullanmayı (ve yıkamayı) öğrenmek

Sinemacının gözü : sinemada kompozisyon kurallarını kullanmayı (ve yıkamayı) öğrenmek

Sinemacının gözü : sinemada kompozisyon kurallarını kullanmayı (ve yıkamayı) öğrenmek

Author

Mercado, Gustavo. Taylaner, Selçuk.

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TR892 M4719 2011

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24.

Cover image for Seeing fictions in film the epistemology of movies

Seeing fictions in film the epistemology of movies

Seeing fictions in film the epistemology of movies

Author

Wilson, George M.

Preferred Shelf Number

ONLINE

Electronic Access

Oxford scholarship online http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001

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