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Subject: Motion pictures -- Aesthetics.

Author

Mercado, Gustavo.

(2)

(2)

Barker, Jennifer Lynde.

(1)

Berliner, Todd, 1964- author.

(1)

Galt, Rosalind.

(1)

(1)

Grodal, Torben Kragh.

(1)

Grønstad, Asbjørn.

(1)

Hadjioannou, Markos.

(1)

Higgins, Scott, 1968-

(1)

(1)

Palgrave Connect (Online service)

(1)

Pierson, Ryan, author.

(1)

Pollock, Griselda.

(1)

Prince, Stephen, 1955-

(1)

Silverman, Maxim.

(1)

Simonton, Dean Keith.

(1)

Wilson, George M.

(1)

Language

(17)

Publication Date

-

(8)

(3)

(1)

(1)

(1)

(1)

(1)

(1)

(1)

Subject

Cinematography -- Technological innovations.

(2)

Cinematography.

(2)

Digital cinematography.

(2)

Memory in motion pictures.

(2)

Motion pictures -- Philosophy.

(2)

World War, 1939-1945 -- Motion pictures and the war.

(2)

Animated films -- History and criticism.

(1)

Animation (Cinematography) -- Philosophy.

(1)

Animation (Cinematography) -- Technique.

(1)

Anti-fascist movements in motion pictures.

(1)

Arnheim, Rudolf -- Criticism and interpretation.

(1)

Cinematography -- Special effects.

(1)

Cold War in motion pictures.

(1)

Creation (Literary, artistic, etc.)

(1)

Cruelty in motion pictures.

(1)

Emotions and cognition.

(1)

Fascism in motion pictures.

(1)

Fascist aesthetics.

(1)

Film genres -- Psychological aspects.

(1)

Form (Aesthetics)

(1)

Godard, Jean-Luc, 1930- -- Criticism and interpretation.

(1)

Holocaust, Jewish (1939-1945), in motion pictures.

(1)

Identity (Psychology) in motion pictures.

(1)

Memento (Motion picture)

(1)

Motion picture audiences -- Psychology.

(1)

Motion picture audiences.

(1)

Motion picture industry -- Technological innovations.

(1)

Motion pictures -- Moral and ethical aspects.

(1)

Motion pictures -- Political aspects.

(1)

Motion pictures -- United States -- History -- 20th century.

(1)

Motion pictures and the arts.

(1)

Motion pictures.

(1)

Movement, Aesthetics of.

(1)

Narration (Rhetoric)

(1)

Nuit et brouillard (Motion picture)

(1)

Philosophy in motion pictures.

(1)

Pornographic films -- History and criticism.

(1)

Psychic trauma in motion pictures.

(1)

Resnais, Alain, 1922-2014 -- Criticism and interpretation.

(1)

Technology in motion pictures.

(1)

Violence in motion pictures.

(1)

Material Type

Shelf Location

Electronic Library

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1.

Cover image for Figure and force in animation aesthetics

Figure and force in animation aesthetics

Figure and force in animation aesthetics

Author

Pierson, Ryan, author.

Preferred Shelf Number

TR897.5 .P53 2019

Electronic Access

Oxford scholarship online https://dx.doi.org/10.1093/oso/9780190949754.001.0001

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2.

Cover image for The aesthetics of antifascist film radical projection

The aesthetics of antifascist film radical projection

The aesthetics of antifascist film radical projection

Author

Barker, Jennifer Lynde.

Preferred Shelf Number

ONLINE

Electronic Access

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3.

Cover image for Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Author

Pollock, Griselda. Silverman, Maxim.

Preferred Shelf Number

ONLINE

Electronic Access

EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538

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4.

Cover image for Great flicks scientific studies of cinematic creativity and aesthetics

Great flicks scientific studies of cinematic creativity and aesthetics

Great flicks scientific studies of cinematic creativity and aesthetics

Author

Simonton, Dean Keith.

Preferred Shelf Number

ONLINE

Electronic Access

Oxford scholarship online http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001

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5.

Cover image for Hollywood aesthetic : pleasure in American cinema

Hollywood aesthetic : pleasure in American cinema

Hollywood aesthetic : pleasure in American cinema

Author

Berliner, Todd, 1964- author.

Preferred Shelf Number

PN1995 .B3655 2017

Electronic Access

Oxford scholarship online http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001

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6.

Cover image for From light to byte toward an ethics of digital cinema

From light to byte toward an ethics of digital cinema

From light to byte toward an ethics of digital cinema

Author

Hadjioannou, Markos. Project Muse.

Preferred Shelf Number

ONLINE

Electronic Access

Full text available:

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7.

Cover image for Digital visual effects in cinema the seduction of reality

Digital visual effects in cinema the seduction of reality

Digital visual effects in cinema the seduction of reality

Author

Prince, Stephen, 1955- Project Muse.

Preferred Shelf Number

ONLINE

Electronic Access

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8.

Cover image for Late Godard and the Possibilities of Cinema.

Late Godard and the Possibilities of Cinema.

Late Godard and the Possibilities of Cinema.

Preferred Shelf Number

ONLINE

Electronic Access

http://www.jstor.org/stable/10.1525/j.ctt1ppvj2

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9.

Cover image for The filmmaker's eye learning (and breaking) the rules of cinematic composition

The filmmaker's eye learning (and breaking) the rules of cinematic composition

The filmmaker's eye learning (and breaking) the rules of cinematic composition

Author

Mercado, Gustavo.

Preferred Shelf Number

ONLINE

Electronic Access

ScienceDirect http://www.sciencedirect.com/science/book/9780240812175

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10.

Cover image for Arnheim for film and media studies

Arnheim for film and media studies

Arnheim for film and media studies

Author

Higgins, Scott, 1968-

Preferred Shelf Number

ONLINE

Electronic Access

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11.

Cover image for Screening the unwatchable spaces of negation in post-millennial art cinema

Screening the unwatchable spaces of negation in post-millennial art cinema

Screening the unwatchable spaces of negation in post-millennial art cinema

Author

Grønstad, Asbjørn. Palgrave Connect (Online service)

Preferred Shelf Number

ONLINE

Electronic Access

EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099

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12.

Cover image for Seeing fictions in film the epistemology of movies

Seeing fictions in film the epistemology of movies

Seeing fictions in film the epistemology of movies

Author

Wilson, George M.

Preferred Shelf Number

ONLINE

Electronic Access

Oxford scholarship online http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001

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