A companion to contemporary art in a global framework
by
 
Davidson, Jane Chin, editor.

Title
A companion to contemporary art in a global framework

Author
Davidson, Jane Chin, editor.

ISBN
9781119841814
 
9781119841791
 
9781119841807

Physical Description
1 online resource (xxv, 559 pages) : illustrations (chiefly color), color map.

Series
Wiley Blackwell companions to art history ; 25
 
Wiley-Blackwell companions to art history ; 25.

Contents
Introduction: The Eurocentrism of contemporary art, staging the project / I live in the fourth dimension when I create landscapes : artist statement / Seeing beyond east/west divides: contemporary art in and around 1980s China / Is there a line that connects all things? Artist statement / Why contemporary art is post-Soviet / Art and politics : artist statement / Māori and pacific art at the turn of a new millennium / Art for abolition : artist statement / Situating African diasporic art / Institutions/Ontology. Colonialism : "the whole world in his hands" : a decolonial approach to European concepts of art / Pedagogy : the blank canvas and other myths / Craft : craft and the making of "Global" contemporary art / Performance : dreams and visions in the interval / Embodiment/materiality : love songs (to end hetero-patriarchal, settler-colonial, extractivism) / Politics/Public sphere. Revolution : revolution is a circle / Art and its marketplaces : it was a small world, after all / Public spheres : the politics of public space in postrevolutionary Iran / (Anti-)capitalism : the imminent promise and fear of a getaway car / Environment : envisioning a more just future : feminist activist art, climate change, and the anthropocene / Identity/Subjectivity. Indigeneity : global futurisms : prophetic practices of reclamation, liberation, and transcendence / Diaspopra : transnational collectivities of solidarity and affect / Gender/sexuality : performing the intersection : camp and the "cat lady" / Race/ethnicity : three forms of appropriation : Carrie Mae Weems, Glenn Ligon, and Nao Bustamante / Methods/Theories. Postcolonial/decolonial : post-/anti-/neo-/de- colonial theories and visual analysis / Marxism/post-Marxism : history, Marxism, reality, and utopia : the Bishan project in China (2010-2016) / Critical race theory : "the blast work" : situating critical race theory in contemporary art and curatorial practice / Postculturalism/postmodernism/postcolonialism : mapping poststructuralism, postmodernism, and postcolonialism / Gender/sex theory : feminist/queer/trans theory and trans embodied methodologies in contemporary art : an intergenerational dialogue on the page / Performance theory : the "studies protocols" of performance studies / Technology/Media. Internet : "bias is not a bug. It's a feature" : an interview with Hito Steyerl on representation in the digital age / Social media : why is it so hard to look the other in the eye? The selfie and its discontents / Algorithm : algorithms in global art and visual culture / Exhibition/collecting/archive. Museum : time, love, and the museum / Biennial/art fair : biennial as a discursive political system for contemporary art / Curating : in residence, incarcerated Regina Jose Galindo's America's family prison / Collecting : the world should collect itself : collecting art globally (and other predicaments) / Archive : ghosts in the archive : exorcism, resurrection and the possibilities of repair

Abstract
"A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as 'art' is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions. Organized into three sections, this work first reviews the history and theory of the visual arts since 1980 and introduces readers to the emerging area of scholarship that seeks to place contemporary art in a global framework. The second section traces the progression of recent developments in the art world, focusing on the historical and cultural contexts surrounding efforts to globalize the art world and the visual arts in particular global and transnational frameworks. The final section addresses a wide range of key themes in contemporary art, such as the fundamental institutions and ontologies of art practice, and the interactions among art, politics, and the public sphere. A Companion to Contemporary Art in a Global Framework is essential reading for undergraduate and graduate students, scholars, researchers, and general readers interested in exploring global art beyond the traditional Euro-American context."-- Provided by publisher.

Local Note
John Wiley and Sons

Subject Term
Art, Modern -- 20th century.
 
Art, Modern -- 21st century.
 
Art and society -- History -- 20th century.
 
Art and society -- History -- 21st century.
 
Art -- 20e siècle.
 
Art -- 21e siècle.
 
Art et société -- Histoire -- 20e siècle.
 
Art et société -- Histoire -- 21e siècle.
 
Art and society
 
Art, Modern

Genre
History

Added Author
Davidson, Jane Chin,
 
Jones, Amelia,

Electronic Access
https://onlinelibrary.wiley.com/doi/book/10.1002/9781119841814


LibraryMaterial TypeItem BarcodeShelf Number[[missing key: search.ChildField.HOLDING]]Status
Online LibraryE-Book598541-1001N6490 .C656148 2024Wiley E-Kitap Koleksiyonu