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Publication Date: 2012

Author

(8)

Barker, Martin, 1946-

(1)

Bender, Shawn Morgan.

(1)

Benneworth, Paul.

(1)

Benwell, Bethan.

(1)

Biltereyst, Daniël, 1962-

(1)

Bourdaghs, Michael K.

(1)

Buuren, Stef van.

(1)

Buzzard, Karen.

(1)

Dolan, Jill, 1957-

(1)

(1)

Hay-Jahans, Christopher.

(1)

Heiskanen, Benita.

(1)

Jacobi, Daniel.

(1)

Jones, Glen Alan, 1961-

(1)

Jurca, Catherine, 1964-

(1)

Lawrence, Michael, 1979-

(1)

Lin, Erika T., 1972-

(1)

Luckerhoff, Jason.

(1)

Maltby, Richard, 1952-

(1)

McGlashon, Angela.

(1)

McKeown, Sally.

(1)

Meers, Philippe.

(1)

Murray, Stuart.

(1)

(1)

Phillips, Andrea, 1974-

(1)

Phillips, Murray G. (Murray George)

(1)

Pinheiro, Rómulo.

(1)

Priest, Susanna Hornig.

(1)

Procter, James.

(1)

Rabinovitz, Lauren, 1950-

(1)

Robinson, Gemma.

(1)

Sender, Katherine.

(1)

Smith-Shomade, Beretta E., 1965-

(1)

Sperb, Jason, 1978-

(1)

Stasik, Michael.

(1)

Teich, Nicholas M.

(1)

(1)

(1)

Welton, Martin, 1973-

(1)

Wiley InterScience (Online service)

(1)

Wilson, Brett D., 1971-

(1)

Young, Skip Dine.

(1)

Language

(33)

Subject

English drama -- 18th century -- History and criticism.

(2)

Performing arts -- Audiences.

(2)

R (Computer program language)

(2)

Acting -- Psychological aspects.

(1)

Actors -- Psychology.

(1)

African American television viewers.

(1)

African Americans in motion pictures.

(1)

African Americans on television.

(1)

Amusement parks -- United States -- History -- 20th century.

(1)

Analog electronic systems.

(1)

Arts and society.

(1)

Arts audiences.

(1)

(1)

Authors and readers -- Great Britain.

(1)

Authors and readers.

(1)

(1)

Bassoon -- History.

(1)

Boxing -- Social aspects -- Cross-cultural studies.

(1)

Boxing -- Social aspects -- United States.

(1)

(1)

Business communication.

(1)

Commonwealth literature (English) -- History and criticism.

(1)

Community and college -- Cross-cultural studies.

(1)

Community development -- Cross-cultural studies.

(1)

Convergence (Telecommunication)

(1)

Culture -- Social aspects.

(1)

Digital communications.

(1)

Digital electronics.

(1)

(1)

Digital storytelling.

(1)

Discotheques -- Sierra Leone -- Freetown.

(1)

Education, Higher -- Economic aspects -- Cross-cultural studies.

(1)

Educational technology.

(1)

Emotions (Philosophy)

(1)

English drama -- 19th century -- History and criticism.

(1)

English literature -- Developing countries -- History and criticism.

(1)

(1)

Feminist criticism.

(1)

Feminist theater -- United States.

(1)

Graphical user interfaces (Computer systems)

(1)

Halls of fame -- Evaluation.

(1)

Hollywood (Los Angeles, Calif.) -- History -- 20th century.

(1)

Inclusive education.

(1)

Information technology -- Study and teaching.

(1)

Interactive multimedia.

(1)

Intercultural communication.

(1)

Internet entertainment industry.

(1)

Linear models (Statistics)

(1)

Makeover television programs -- History and criticism.

(1)

Marketing -- Psychological aspects.

(1)

Mental health personnel in motion pictures.

(1)

Metaphysics -- History.

(1)

Missing observations (Statistics)

(1)

Motion picture audiences -- Europe -- History -- 20th century.

(1)

Motion picture audiences -- Psychology.

(1)

Motion picture audiences -- United States -- History.

(1)

Motion picture audiences -- United States.

(1)

Motion picture industry -- Economic aspects -- California -- Los Angeles -- History -- 20th century.

(1)

Motion picture industry -- Europe -- History -- 20th century.

(1)

Motion pictures -- California -- Los Angeles -- History -- 20th century.

(1)

Motion pictures -- Psychological aspects.

(1)

Motion pictures -- Social aspects -- United States -- History -- 20th century.

(1)

Multiple imputation (Statistics)

(1)

Multivariate analysis.

(1)

Music -- Japan.

(1)

Music -- Social aspects.

(1)

Musical instruments -- Japan.

(1)

Nanotechnology -- Risk assessment.

(1)

Nanotechnology -- Social aspects.

(1)

Patriotism in literature.

(1)

Performance art.

(1)

Political plays, English -- History and criticism.

(1)

Popular music -- Japan -- History and criticism.

(1)

Popular music -- Sierra Leone -- Freetown -- History.

(1)

Popular music -- Sierra Leone -- Freetown.

(1)

Popular music fans -- Sierra Leone -- Freetown.

(1)

Postcolonialism -- Commonwealth countries.

(1)

Postcolonialism -- English-speaking countries.

(1)

Postcolonialism.

(1)

Psychiatry in motion pictures.

(1)

Psychoanalysis and motion pictures.

(1)

Psychoanalysis in motion pictures.

(1)

Race relations in motion pictures.

(1)

Radio audiences -- United States -- Measurement -- History.

(1)

Radio programs -- United States -- Rating -- History.

(1)

Reality television programs -- History and criticism.

(1)

Romanticism -- Great Britain.

(1)

Shakespeare, William, 1564-1616 -- Stage history -- England -- London.

(1)

Shakespeare, William, 1564-1616 -- Stage history -- To 1625.

(1)

Sociology, Urban.

(1)

Song of the South (Motion picture)

(1)

Space and time in literature.

(1)

Sports -- History -- Sources.

(1)

Sports -- History.

(1)

Sports museums -- Evaluation.

(1)

Stereotypes (Social psychology) in motion pictures.

(1)

(1)

Taiko (Drum ensemble) -- Japan -- History.

(1)

Taiko -- Japan -- History.

(1)

Television broadcasting -- Social aspects -- United States.

(1)

Television programs -- United States -- Rating -- History.

(1)

Television viewers -- United States -- Measurement -- History.

(1)

Theater -- Great Britain -- History -- 18th century.

(1)

Theater -- Great Britain -- History -- 19th century.

(1)

Theater -- Political aspects -- England -- History -- 18th century.

(1)

Theater -- Psychological aspects.

(1)

Theater and society -- England -- History -- 16th century.

(1)

Theater and society -- England -- History -- 17th century.

(1)

Theater audiences -- England -- History -- 17th century.

(1)

Theater audiences -- England -- London -- History -- 16th century.

(1)

Theater audiences -- England -- London -- History -- 17th century.

(1)

Theater audiences -- Great Britain.

(1)

Theater audiences -- Psychology.

(1)

Theater audiences.

(1)

Transgender people.

(1)

Transgenderism.

(1)

(1)

Walt Disney Productions.

(1)

Web sites -- Design.

(1)

Women and literature -- England -- History -- 18th century.

(1)

Women in literature.

(1)

Women in the theater -- England -- History -- 18th century.

(1)

Material Type

Shelf Location

Beytepe General Collection

Electronic Library

Library

Beytepe Library

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1.

Cover image for Postcolonial audiences readers, viewers and reception

Postcolonial audiences readers, viewers and reception

Postcolonial audiences readers, viewers and reception

Author

Benwell, Bethan. Procter, James. Robinson, Gemma.

Preferred Shelf Number

ONLINE

Electronic Access

Click here to view

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2.

Cover image for The makeover reality television and reflexive audiences

The makeover reality television and reflexive audiences

The makeover reality television and reflexive audiences

Author

Sender, Katherine. Project Muse.

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3.

Cover image for DISCOnnections popular music audiences in Freetown, Sierra Leone

DISCOnnections popular music audiences in Freetown, Sierra Leone

DISCOnnections popular music audiences in Freetown, Sierra Leone

Author

Stasik, Michael. Project Muse.

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4.

Cover image for Watching while black centering the television of black audiences

Watching while black centering the television of black audiences

Watching while black centering the television of black audiences

Author

Smith-Shomade, Beretta E., 1965- Project Muse.

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5.

Cover image for Cinema audiences and modernity new perspectives on European cinema history

Cinema audiences and modernity new perspectives on European cinema history

Cinema audiences and modernity new perspectives on European cinema history

Author

Biltereyst, Daniël, 1962- Maltby, Richard, 1952- Meers, Philippe.

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6.

Cover image for A creator's guide to transmedia storytelling how to captivate and engage audiences across multiple platforms

A creator's guide to transmedia storytelling how to captivate and engage audiences across multiple platforms

A creator's guide to transmedia storytelling how to captivate and engage audiences across multiple platforms

Author

Phillips, Andrea, 1974-

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ONLINE

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Subscription required

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7.

Cover image for The feminist spectator as critic

The feminist spectator as critic

The feminist spectator as critic

Author

Dolan, Jill, 1957- Project Muse.

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8.

Cover image for No innocent bystanders performance art and audience

No innocent bystanders performance art and audience

No innocent bystanders performance art and audience

Author

Ward, Frazer. Project Muse.

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9.

Cover image for Disney's most notorious film race, convergence, and the hidden histories of Song of the South

Disney's most notorious film race, convergence, and the hidden histories of Song of the South

Disney's most notorious film race, convergence, and the hidden histories of Song of the South

Author

Sperb, Jason, 1978- Project Muse.

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10.

Cover image for Universities and regional development a critical assessment of tensions and contradictions

Universities and regional development a critical assessment of tensions and contradictions

Universities and regional development a critical assessment of tensions and contradictions

Author

Pinheiro, Rómulo. Benneworth, Paul. Jones, Glen Alan, 1961-

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11.

Cover image for The urban geography of boxing race, class, and gender in the ring

The urban geography of boxing race, class, and gender in the ring

The urban geography of boxing race, class, and gender in the ring

Author

Heiskanen, Benita.

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12.

Cover image for Shakespeare and the materiality of performance

Shakespeare and the materiality of performance

Shakespeare and the materiality of performance

Author

Lin, Erika T., 1972-

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EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=492591

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