Black and brown planets the politics of race in science fiction

Racial asymmetries Asian American fictional worlds

Scrutinized! surveillance in Asian North American literature

Passing interest racial passing in US novels, memoirs, television, and film, 1990-2010

Sounding the break African American and Caribbean routes of world literature

Unbecoming Americans writing race and nation from the shadows of citizenship, 1945-1960

Bestial traces race, sexuality, animality

Storytelling, history, and the postmodern South

"Other people's diasporas" negotiating race in contemporary Irish and Irish American culture

Tragic no more mixed-race women and the nexus of sex and celebrity

Transatlantic spectacles of race the tragic mulatta and the tragic muse

Imoinda's shade marriage and the African woman in Eighteenth-Century British literature, 1759-1808

Honor bound race and shame in America

Abandoning the Black hero sympathy and privacy in the postwar African American white-life novel

Signifying without specifying racial discourse in the age of Obama

Imperfect unions staging miscegenation in U.S. drama and fiction

Kin of another kind transracial adoption in American literature

Romances of the white man's burden race, empire, and the plantation in American literature, 1880-1936

Faulkner and whiteness

Sites unseen architecture, race, and American literature

Race in American science fiction

This is all I choose to tell history and hybridity in Vietnamese American literature

Dirty whites and dark secrets sex and race in Peyton Place

Hemingway, race, and art bloodlines and the color line

A world among these islands essays on literature, race, and national identity in Antillean America

Bulldaggers, pansies, and chocolate babies performance, race, and sexuality in the Harlem Renaissance

Reading Chican@ like a queer the de-mastery of desire

Shadowing the white man's burden U.S. imperialism and the problem of the color line

Reading Faulkner. Absalom, Absalom! : glossary and commentary

Comics and the U.S. South

Representing segregation toward an aesthetics of living Jim Crow, and other forms of racial division