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Arnheim, Rudolf.
(5)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
Didi-Huberman, Georges. Devant l'image. English.
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(1)
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(1)
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(1)
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(1)
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(1)
European Workshop on Imagery and Cognition (3rd : 1990 : University of Aberdeen)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
International School for Advanced Studies (Trieste, Italy)
(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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(1)
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Visual perception.
(108)
Görme algısı.
(15)
GÖRME ALGISI.
(14)
Computer vision.
(11)
Vision.
(9)
Visual Perception -- physiology.
(9)
Cognition.
(6)
Eye -- Movements.
(6)
Görsel algı.
(6)
Visual perception -- Congresses.
(6)
Visual perception in literature.
(6)
Visuelle Wahrnehmung.
(6)
Art -- Psychology.
(5)
Artificial intelligence.
(5)
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(5)
Neuropsychology.
(5)
Visual communication.
(5)
Visual cortex.
(5)
Visual perception -- Social aspects.
(5)
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(4)
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(4)
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(4)
Art appreciation.
(4)
Color vision.
(4)
Eye Movements.
(4)
Human-computer interaction.
(4)
Motion perception (Vision)
(4)
PSYCHOLOGY / Cognitive Psychology
(4)
Visual Perception.
(4)
Visual pathways.
(4)
Visual perception -- Psychological aspects.
(4)
Visual perception in art.
(4)
Art in literature.
(3)
Control engineering.
(3)
Drawing -- Technique.
(3)
Electronic books.
(3)
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(3)
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(3)
Perception.
(3)
Psychologie.
(3)
RENK GÖRME.
(3)
Robot vision.
(3)
Sanat -- Teknik.
(3)
Senses and sensation.
(3)
Vision, Ocular -- physiology.
(3)
Visual Perception -- physiology -- Congresses.
(3)
Visualization.
(3)
Visuelle Wahrnehmung
(3)
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(2)
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(2)
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(2)
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(2)
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(2)
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(2)
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(2)
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(2)
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(2)
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(2)
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(2)
Depth perception.
(2)
Düşünce ve düşünme.
(2)
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(2)
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(2)
Eye.
(2)
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(2)
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(2)
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(2)
GÖRME KORTEKSİ.
(2)
Hayal (Psikoloji).
(2)
Human engineering.
(2)
Human-machine systems.
(2)
Identity (Philosophical concept) in art.
(2)
Image (Philosophy)
(2)
Image processing -- Digital techniques.
(2)
Image processing.
(2)
Imagery (Psychology).
(2)
Industrial design.
(2)
Kongress
(2)
Künstliche Intelligenz.
(2)
Light -- Physiological effect.
(2)
Lighting -- Physiological aspects.
(2)
Mass media.
(2)
Mathematical and Computational Biology.
(2)
Memory.
(2)
Molyneux, William, 1656-1698.
(2)
Motion Perception.
(2)
Motor ability.
(2)
Neurology
(2)
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(2)
Neuroscience.
(2)
Neurosciences.
(2)
Optical illusions.
(2)
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(2)
Perceptual-motor processes.
(2)
Photographs.
(2)
Psychology -- Qualitative research.
(2)
Reading.
(2)
Robotics.
(2)
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(2)
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(2)
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(2)
Sanat değerlendirme.
(2)
Semiotics and the arts.
(2)
Sensorimotor integration.
(2)
Sports -- Psychological aspects.
(2)
Tezler, Bilimsel
(2)
Thesis, Scientific
(2)
Thinking.
(2)
Thought and thinking.
(2)
User interfaces (Computer systems)
(2)
User-centered system design.
(2)
Vision -- physiology
(2)
Vision disorders -- Patients -- Rehabilitation.
(2)
Visual Perception
(2)
Visual Perception -- physiology
(2)
Visual agnosia -- Patients -- Rehabilitation.
(2)
Visual training.
(2)
perception visuelle.
(2)
ŞEKİL ALGISI.
(2)
ART / Criticism
(1)
ART / History / Ancient & Classical.
(1)
Acoustical engineering.
(1)
Adaptation, Biological -- physiology.
(1)
Advertising -- Tourism.
(1)
Advertising -- United States.
(1)
Advertising laws -- United States.
(1)
Aesthetics, British -- 19th century.
(1)
Aesthetics, Comparative.
(1)
Aesthetics, Roman.
(1)
African American art -- 20th century.
(1)
African Americans -- Intellectual life -- 20th century.
(1)
African Americans in art.
(1)
African Americans in literature.
(1)
American literature -- African American authors -- History and criticism.
(1)
American poetry -- 20th century -- History and criticism.
(1)
Animals.
(1)
Antennas (Electronics).
(1)
Apperception.
(1)
Architecture -- Composition, proportion, etc.
(1)
Architecture -- Psychological aspects.
(1)
Architecture and society -- United States -- History -- 20th century.
(1)
Art -- History.
(1)
Art -- Study and teaching -- Great Britain.
(1)
Art and literature -- Europe.
(1)
Art and literature -- Great Britain -- History -- 19th century.
(1)
Art and literature -- Great Britain -- History.
(1)
Art and literature -- United States.
(1)
Art and society -- United States -- History -- 18th century.
(1)
Art and society -- United States -- History -- 19th century.
(1)
Art teachers -- Training of -- Great Britain.
(1)
Art, Modern -- 19th century -- Themes, Motives.
(1)
Art, Victorian -- Psychological aspects.
(1)
Artists -- Psychology.
(1)
Arts, Classical.
(1)
Attention -- Physiological aspects.
(1)
Augenfolgebewegung.
(1)
Authors, French -- Biography -- History and criticism.
(1)
Autobiography -- Authorship.
(1)
Automobile drivers -- Mental health.
(1)
Automobile driving -- Physiological aspects.
(1)
Bantjes, Marian -- Written works.
(1)
Beden eğitimi ve uygulama.
(1)
Beeldverwerking.
(1)
Behavior.
(1)
Bewegingswaarneming.
(1)
Bewegung.
(1)
Bewegungskoordination.
(1)
Bewegungssehen.
(1)
Bewertung.
(1)
Beyin baskınlığı.
(1)
Bildverarbeitung.
(1)
Bilgisayarlı görüntü sistemleri.
(1)
Bilişsel Nörobilim.
(1)
Binoculair zien.
(1)
Binocular vision -- Data processing.
(1)
Bioinformatics.
(1)
Blickbewegung.
(1)
Blindness -- Psychological aspects.
(1)
Blinking
(1)
Brain -- Computer simulaion.
(1)
Building materials.
(1)
BİLGİ KURAMI, PSİKOLOJİDE.
(1)
BİLGİ KURAMI.
(1)
COMPUTERS -- Social Aspects -- Human-Computer Interaction.
(1)
COMPUTERS / Computer Graphics / General
(1)
COMPUTERS / Computer Graphics / Image Processing (see also PHOTOGRAPHY / Techniques / Digital)
(1)
COMPUTERS / Computer Vision & Pattern Recognition
(1)
Camouflage (Biology)
(1)
Cinsel adetler -- Türkiye.
(1)
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217.
Ways of seeing
Ways of seeing
Author
Berger, John.
Preferred Shelf Number
N7430.5 B453 1972
Format:
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Available:
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218.
Seeing and knowing
Seeing and knowing
Author
Dretske, Fred I.
Preferred Shelf Number
BD 161 D7 1969
Format:
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