Search Results for Aesthetics. - Narrowed by: E-Book - Online Library - 2011 - Motion pictures -- Aesthetics.SirsiDynix Enterprisehttps://katalog.hacettepe.edu.tr/client/en_US/default/default/qu$003dAesthetics.$0026qf$003dITYPE$002509Material$002bType$0025091$00253AE-KITAP$002509E-Book$0026qf$003dLIBRARY$002509Library$0025091$00253AONLINE$002509Online$002bLibrary$0026qf$003dPUBDATE$002509Publication$002bDate$0025092011$0025092011$0026qf$003dSUBJECT$002509Subject$002509Motion$002bpictures$002b--$002bAesthetics.$002509Motion$002bpictures$002b--$002bAesthetics.$0026te$003dILS$0026ps$003d300?2024-09-22T06:56:48ZConcentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)ent://SD_ILS/0/SD_ILS:2794552024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Pollock, Griselda. Silverman, Maxim.<br/>Preferred Shelf Number ONLINE<br/>Electronic Access EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>Great flicks scientific studies of cinematic creativity and aestheticsent://SD_ILS/0/SD_ILS:2335542024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Simonton, Dean Keith.<br/>Preferred Shelf Number ONLINE<br/>Electronic Access Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>The filmmaker's eye learning (and breaking) the rules of cinematic compositionent://SD_ILS/0/SD_ILS:1458722024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Mercado, Gustavo.<br/>Preferred Shelf Number ONLINE<br/>Electronic Access ScienceDirect <a href="http://www.sciencedirect.com/science/book/9780240812175">http://www.sciencedirect.com/science/book/9780240812175</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>Arnheim for film and media studiesent://SD_ILS/0/SD_ILS:2669202024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Higgins, Scott, 1968-<br/>Preferred Shelf Number ONLINE<br/>Electronic Access <a href="http://www.tandfebooks.com/isbn/9780203876916">Click here to view</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>Screening the unwatchable spaces of negation in post-millennial art cinemaent://SD_ILS/0/SD_ILS:2789352024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Grønstad, Asbjørn. Palgrave Connect (Online service)<br/>Preferred Shelf Number ONLINE<br/>Electronic Access EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>Seeing fictions in film the epistemology of moviesent://SD_ILS/0/SD_ILS:2317032024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Wilson, George M.<br/>Preferred Shelf Number ONLINE<br/>Electronic Access Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>Pretty : film and the decorative imageent://SD_ILS/0/SD_ILS:3755262024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Galt, Rosalind.<br/>Preferred Shelf Number ONLINE<br/>Electronic Access <a href="http://www.jstor.org/stable/10.7312/galt15346">http://www.jstor.org/stable/10.7312/galt15346</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>The filmmaker's eye : learning (and breaking) the rules of cinematic compositionent://SD_ILS/0/SD_ILS:3424682024-09-22T06:56:48Z2024-09-22T06:56:48ZAuthor Mercado, Gustavo.<br/>Preferred Shelf Number ONLINE(342468.1)<br/>Electronic Access <a href="http://www.tandfebooks.com/isbn/9780080959344">Click here to view</a><br/>Format: Electronic Resources<br/>Availability Online Library~1<br/>