Search Results for Motion pictures -- Aesthetics. - Narrowed by: Online Library SirsiDynix Enterprise https://katalog.hacettepe.edu.tr/client/en_US/default/default/qu$003dMotion$002bpictures$002b--$002bAesthetics.$0026qf$003dLIBRARY$002509Library$0025091$00253AONLINE$002509Online$002bLibrary$0026ps$003d300$0026isd$003dtrue?dt=list 2024-10-06T07:22:50Z Figure and force in animation aesthetics ent://SD_ILS/0/SD_ILS:512457 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Pierson, Ryan, author.<br/>Preferred Shelf Number&#160;TR897.5 .P53 2019<br/>Electronic Access&#160;Oxford scholarship online <a href="https://dx.doi.org/10.1093/oso/9780190949754.001.0001">https://dx.doi.org/10.1093/oso/9780190949754.001.0001</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Hollywood aesthetic : pleasure in American cinema ent://SD_ILS/0/SD_ILS:512394 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Berliner, Todd, 1964- author.<br/>Preferred Shelf Number&#160;PN1995 .B3655 2017<br/>Electronic Access&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> The sensuous cinema of Wong Kar-wai film poetics and the aesthetic of disturbance ent://SD_ILS/0/SD_ILS:324413 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Bettinson, Gary, author.&#160;Project Muse, distributor.&#160;Project Muse.<br/>Preferred Shelf Number&#160;ONLINE(324413.1)<br/>Electronic Access&#160;<a href="http://muse.jhu.edu/books/9789888313082/">Full text available: </a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> A cinema of poetry aesthetics of the Italian art film ent://SD_ILS/0/SD_ILS:322828 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Luzzi, Joseph.&#160;Project Muse.<br/>Preferred Shelf Number&#160;ONLINE(322828.1)<br/>Electronic Access&#160;<a href="http://muse.jhu.edu/books/9781421412962/">Full text available: </a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> The aesthetics of antifascist film radical projection ent://SD_ILS/0/SD_ILS:258636 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Barker, Jennifer Lynde.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://www.tandfebooks.com/isbn/9780203098530">Click here to view</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> From light to byte toward an ethics of digital cinema ent://SD_ILS/0/SD_ILS:276960 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Hadjioannou, Markos.&#160;Project Muse.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://muse.jhu.edu/books/9780816682072/">Full text available: </a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Digital visual effects in cinema the seduction of reality ent://SD_ILS/0/SD_ILS:243047 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Prince, Stephen, 1955-&#160;Project Muse.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://muse.jhu.edu/books/9780813552187/">Full text available: </a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Late Godard and the Possibilities of Cinema. ent://SD_ILS/0/SD_ILS:376917 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://www.jstor.org/stable/10.1525/j.ctt1ppvj2">http://www.jstor.org/stable/10.1525/j.ctt1ppvj2</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Seeing fictions in film the epistemology of movies ent://SD_ILS/0/SD_ILS:231703 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Wilson, George M.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Great flicks scientific studies of cinematic creativity and aesthetics ent://SD_ILS/0/SD_ILS:233554 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Simonton, Dean Keith.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> The filmmaker's eye : learning (and breaking) the rules of cinematic composition ent://SD_ILS/0/SD_ILS:342468 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Mercado, Gustavo.<br/>Preferred Shelf Number&#160;ONLINE(342468.1)<br/>Electronic Access&#160;<a href="http://www.tandfebooks.com/isbn/9780080959344">Click here to view</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Arnheim for film and media studies ent://SD_ILS/0/SD_ILS:266920 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Higgins, Scott, 1968-<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://www.tandfebooks.com/isbn/9780203876916">Click here to view</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> The filmmaker's eye learning (and breaking) the rules of cinematic composition ent://SD_ILS/0/SD_ILS:145872 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Mercado, Gustavo.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;ScienceDirect <a href="http://www.sciencedirect.com/science/book/9780240812175">http://www.sciencedirect.com/science/book/9780240812175</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Screening the unwatchable spaces of negation in post-millennial art cinema ent://SD_ILS/0/SD_ILS:278935 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Gr&oslash;nstad, Asbj&oslash;rn.&#160;Palgrave Connect (Online service)<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Pretty : film and the decorative image ent://SD_ILS/0/SD_ILS:375526 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Galt, Rosalind.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://www.jstor.org/stable/10.7312/galt15346">http://www.jstor.org/stable/10.7312/galt15346</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955) ent://SD_ILS/0/SD_ILS:279455 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Pollock, Griselda.&#160;Silverman, Maxim.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> A Philosophy of Cinematic Art ent://SD_ILS/0/SD_ILS:237810 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Gaut, Berys.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://dx.doi.org/10.1017/CBO9780511674716">Access by subscription</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Memento ent://SD_ILS/0/SD_ILS:265984 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Kania, Andrew.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;<a href="http://www.tandfebooks.com/isbn/9780203876596">Click here to view</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/> Moving pictures a new theory of film genres, feelings and cognition ent://SD_ILS/0/SD_ILS:233433 2024-10-06T07:22:50Z 2024-10-06T07:22:50Z Author&#160;Grodal, Torben Kragh.<br/>Preferred Shelf Number&#160;ONLINE<br/>Electronic Access&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001</a><br/>Format:&#160;Electronic Resources<br/>Availability&#160;Online Library~1<br/>