Arama Sonu&ccedil;lar&#305; Film genres. - Daralt&#305;lm&#305;&#351;: &Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane SirsiDynix Enterprise https://katalog.hacettepe.edu.tr/client/tr_TR/default_tr/default_tr/qu$003dFilm$002bgenres.$0026qf$003dLIBRARY$002509K$0025C3$0025BCt$0025C3$0025BCphane$0025091$00253AONLINE$002509$0025C3$002587evrimi$0025C3$0025A7i$002bK$0025C3$0025BCt$0025C3$0025BCphane$0026te$003dILS$0026ps$003d300? 2025-01-09T14:05:27Z American film cycles reframing genres, screening social problems, &amp; defining subcultures ent://SD_ILS/0/SD_ILS:244597 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;Klein, Amanda Ann, 1976-&#160;Project Muse.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://muse.jhu.edu/books/9780292735415/">Full text available: </a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Moving pictures a new theory of film genres, feelings and cognition ent://SD_ILS/0/SD_ILS:233433 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;Grodal, Torben Kragh.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Gender meets genre in postwar cinemas ent://SD_ILS/0/SD_ILS:241939 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;Gledhill, Christine.&#160;Project Muse.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://muse.jhu.edu/books/9780252093661/">Full text available: </a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Weill's Musical Theater : Stages of Reform. ent://SD_ILS/0/SD_ILS:376165 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;Hinton, Stephen.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.jstor.org/stable/10.1525/j.ctt1pn9qw">http://www.jstor.org/stable/10.1525/j.ctt1pn9qw</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Tender comrades : a backstory of the Hollywood blacklist ent://SD_ILS/0/SD_ILS:377201 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;McGilligan, Patrick.&#160;Buhle, Paul, 1944-<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.jstor.org/stable/10.5749/j.ctttsjph">http://www.jstor.org/stable/10.5749/j.ctttsjph</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Broken mirrors, broken minds : the dark dreams of Dario Argento ent://SD_ILS/0/SD_ILS:374826 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;McDonagh, Maitland.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.jstor.org/stable/10.5749/j.ctttsc3t">http://www.jstor.org/stable/10.5749/j.ctttsc3t</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Cinema genre ent://SD_ILS/0/SD_ILS:303223 2025-01-09T14:05:27Z 2025-01-09T14:05:27Z Yazar&#160;Moine, Rapha&euml;lle.&#160;Wiley InterScience (Online service)<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;Contributor biographical information <a href="http://catdir.loc.gov/catdir/enhancements/fy0805/2007040253-b.html">http://catdir.loc.gov/catdir/enhancements/fy0805/2007040253-b.html</a> John Wiley <a href="http://dx.doi.org/10.1002/9781444301267">http://dx.doi.org/10.1002/9781444301267</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/>