Arama Sonuçları Motion pictures -- Aesthetics - Daraltılmış: EnglishSirsiDynix Enterprisehttps://katalog.hacettepe.edu.tr/client/tr_TR/default_tr/default_tr/qu$003dMotion$002bpictures$002b--$002bAesthetics$0026qf$003dLANGUAGE$002509Dil$002509ENG$002509English$0026ps$003d300$0026isd$003dtrue?2024-11-14T08:37:02ZFigure and force in animation aestheticsent://SD_ILS/0/SD_ILS:5124572024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Pierson, Ryan, author.<br/>Yer Numarası TR897.5 .P53 2019<br/>Elektronik Erişim Oxford scholarship online <a href="https://dx.doi.org/10.1093/oso/9780190949754.001.0001">https://dx.doi.org/10.1093/oso/9780190949754.001.0001</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Hollywood aesthetic : pleasure in American cinemaent://SD_ILS/0/SD_ILS:5123942024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Berliner, Todd, 1964- author.<br/>Yer Numarası PN1995 .B3655 2017<br/>Elektronik Erişim Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>The sensuous cinema of Wong Kar-wai film poetics and the aesthetic of disturbanceent://SD_ILS/0/SD_ILS:3244132024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Bettinson, Gary, author. Project Muse, distributor. Project Muse.<br/>Yer Numarası ONLINE(324413.1)<br/>Elektronik Erişim <a href="http://muse.jhu.edu/books/9789888313082/">Full text available: </a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Understanding sound tracks through film theoryent://SD_ILS/0/SD_ILS:3637082024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Walker, Elsie M., 1975-<br/>Yer Numarası PN1995.7 W36 2015<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>The cinema of poetryent://SD_ILS/0/SD_ILS:3638992024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Sitney, P. Adams.<br/>Yer Numarası PN1995.9.E96 S48 2015<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>The psychology of visual art : eye, brain and artent://SD_ILS/0/SD_ILS:3635702024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Mather, George.<br/>Yer Numarası N71 M285 2014<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~2<br/>The intervals of cinemaent://SD_ILS/0/SD_ILS:3121162024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Ranciere, Jacques.<br/>Yer Numarası PN1995 R33513 2014<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>A cinema of poetry aesthetics of the Italian art filment://SD_ILS/0/SD_ILS:3228282024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Luzzi, Joseph. Project Muse.<br/>Yer Numarası ONLINE(322828.1)<br/>Elektronik Erişim <a href="http://muse.jhu.edu/books/9781421412962/">Full text available: </a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>The aesthetics of antifascist film radical projectionent://SD_ILS/0/SD_ILS:2586362024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Barker, Jennifer Lynde.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://www.tandfebooks.com/isbn/9780203098530">Click here to view</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Film art : an introductionent://SD_ILS/0/SD_ILS:3637402024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Bordwell, David. Thompson, Kristin, 1950-<br/>Yer Numarası PN1995 B617 2013<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>From light to byte toward an ethics of digital cinemaent://SD_ILS/0/SD_ILS:2769602024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Hadjioannou, Markos. Project Muse.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://muse.jhu.edu/books/9780816682072/">Full text available: </a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Digital visual effects in cinema the seduction of realityent://SD_ILS/0/SD_ILS:2430472024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Prince, Stephen, 1955- Project Muse.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://muse.jhu.edu/books/9780813552187/">Full text available: </a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Late Godard and the Possibilities of Cinema.ent://SD_ILS/0/SD_ILS:3769172024-11-14T08:37:02Z2024-11-14T08:37:02ZYer Numarası ONLINE<br/>Elektronik Erişim <a href="http://www.jstor.org/stable/10.1525/j.ctt1ppvj2">http://www.jstor.org/stable/10.1525/j.ctt1ppvj2</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Screening the unwatchable spaces of negation in post-millennial art cinemaent://SD_ILS/0/SD_ILS:2789352024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Grønstad, Asbjørn. Palgrave Connect (Online service)<br/>Yer Numarası ONLINE<br/>Elektronik Erişim EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Arnheim for film and media studiesent://SD_ILS/0/SD_ILS:2669202024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Higgins, Scott, 1968-<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://www.tandfebooks.com/isbn/9780203876916">Click here to view</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)ent://SD_ILS/0/SD_ILS:2794552024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Pollock, Griselda. Silverman, Maxim.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>The filmmaker's eye learning (and breaking) the rules of cinematic compositionent://SD_ILS/0/SD_ILS:1458722024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Mercado, Gustavo.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim ScienceDirect <a href="http://www.sciencedirect.com/science/book/9780240812175">http://www.sciencedirect.com/science/book/9780240812175</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>The filmmaker's eye : learning (and breaking) the rules of cinematic compositionent://SD_ILS/0/SD_ILS:3424682024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Mercado, Gustavo.<br/>Yer Numarası ONLINE(342468.1)<br/>Elektronik Erişim <a href="http://www.tandfebooks.com/isbn/9780080959344">Click here to view</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Seeing fictions in film the epistemology of moviesent://SD_ILS/0/SD_ILS:2317032024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Wilson, George M.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Great flicks scientific studies of cinematic creativity and aestheticsent://SD_ILS/0/SD_ILS:2335542024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Simonton, Dean Keith.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Pretty : film and the decorative imageent://SD_ILS/0/SD_ILS:3755262024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Galt, Rosalind.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://www.jstor.org/stable/10.7312/galt15346">http://www.jstor.org/stable/10.7312/galt15346</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Film art : an introductionent://SD_ILS/0/SD_ILS:1343032024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Bordwell, David. Thompson, Kristin, 1950-<br/>Yer Numarası PN1995 .B617 2010<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~2<br/>A Philosophy of Cinematic Artent://SD_ILS/0/SD_ILS:2378102024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Gaut, Berys.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://dx.doi.org/10.1017/CBO9780511674716">Access by subscription</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Mementoent://SD_ILS/0/SD_ILS:2659842024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Kania, Andrew.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim <a href="http://www.tandfebooks.com/isbn/9780203876596">Click here to view</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Filmosophyent://SD_ILS/0/SD_ILS:1342542024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Frampton, Daniel<br/>Yer Numarası PN1995 .F675 2006<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>Moving pictures a new theory of film genres, feelings and cognitionent://SD_ILS/0/SD_ILS:2334332024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Grodal, Torben Kragh.<br/>Yer Numarası ONLINE<br/>Elektronik Erişim Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001</a><br/>Format: Elektrnik Kaynak<br/>Durum Çevrimiçi Kütüphane~1<br/>Cinema, theory, and political responsibility in contemporary cultureent://SD_ILS/0/SD_ILS:1345732024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar McGee, Patrick.<br/>Yer Numarası PN1995 .M378 1997<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>Action and image : dramatic structure in cinemaent://SD_ILS/0/SD_ILS:1434122024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Armes, Roy.<br/>Format: Kitap<br/>Durum ~0<br/>Interpreting films : studies in the historical reception of American cinemaent://SD_ILS/0/SD_ILS:1357102024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Staiger, Janet.<br/>Yer Numarası PN1995 .S6735 1992<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>The classical Hollywood cinema : film style & mode of production to 1960ent://SD_ILS/0/SD_ILS:1339282024-11-14T08:37:02Z2024-11-14T08:37:02ZYazar Bordwell, David. Staiger, Janet. Thompson, Kristin, 1950-<br/>Yer Numarası PN1993.5.U6 B655 1985<br/>Format: Kitap<br/>Durum Beytepe Kütüphanesi~1<br/>