Arama Sonu&ccedil;lar&#305; Motion pictures -- Aesthetics. SirsiDynix Enterprise https://katalog.hacettepe.edu.tr/client/tr_TR/default_tr/default_tr/qu$003dMotion$002bpictures$002b--$002bAesthetics.$0026ic$003dtrue$0026ps$003d300? 2024-11-14T04:26:16Z Figure and force in animation aesthetics ent://SD_ILS/0/SD_ILS:512457 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Pierson, Ryan, author.<br/>Yer Numaras&#305;&#160;TR897.5 .P53 2019<br/>Elektronik Eri&#351;im&#160;Oxford scholarship online <a href="https://dx.doi.org/10.1093/oso/9780190949754.001.0001">https://dx.doi.org/10.1093/oso/9780190949754.001.0001</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Modernist estetik : T&uuml;rkiye'de sanat sinemas&#305; tarihine giri&#351; (1896-2000) ent://SD_ILS/0/SD_ILS:509116 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Karado&#287;an, Ali, 1970- author.<br/>Yer Numaras&#305;&#160;PN1993.5.T8 K374 2018<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> Hollywood aesthetic : pleasure in American cinema ent://SD_ILS/0/SD_ILS:512394 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Berliner, Todd, 1964- author.<br/>Yer Numaras&#305;&#160;PN1995 .B3655 2017<br/>Elektronik Eri&#351;im&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> The sensuous cinema of Wong Kar-wai film poetics and the aesthetic of disturbance ent://SD_ILS/0/SD_ILS:324413 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Bettinson, Gary, author.&#160;Project Muse, distributor.&#160;Project Muse.<br/>Yer Numaras&#305;&#160;ONLINE(324413.1)<br/>Elektronik Eri&#351;im&#160;<a href="http://muse.jhu.edu/books/9789888313082/">Full text available: </a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Understanding sound tracks through film theory ent://SD_ILS/0/SD_ILS:363708 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Walker, Elsie M., 1975-<br/>Yer Numaras&#305;&#160;PN1995.7 W36 2015<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> The cinema of poetry ent://SD_ILS/0/SD_ILS:363899 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Sitney, P. Adams.<br/>Yer Numaras&#305;&#160;PN1995.9.E96 S48 2015<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> The psychology of visual art : eye, brain and art ent://SD_ILS/0/SD_ILS:363570 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Mather, George.<br/>Yer Numaras&#305;&#160;N71 M285 2014<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~2<br/> Sinemada g&ouml;stergeler ve anlam ent://SD_ILS/0/SD_ILS:366042 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Wollen, Peter.&#160;Aracag&ouml;k, Zafer.&#160;Do&#287;an, B&uuml;lent.<br/>Yer Numaras&#305;&#160;PN1995 W65 2014<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> The intervals of cinema ent://SD_ILS/0/SD_ILS:312116 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Ranciere, Jacques.<br/>Yer Numaras&#305;&#160;PN1995 R33513 2014<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> A cinema of poetry aesthetics of the Italian art film ent://SD_ILS/0/SD_ILS:322828 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Luzzi, Joseph.&#160;Project Muse.<br/>Yer Numaras&#305;&#160;ONLINE(322828.1)<br/>Elektronik Eri&#351;im&#160;<a href="http://muse.jhu.edu/books/9781421412962/">Full text available: </a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> The aesthetics of antifascist film radical projection ent://SD_ILS/0/SD_ILS:258636 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Barker, Jennifer Lynde.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.tandfebooks.com/isbn/9780203098530">Click here to view</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Film art : an introduction ent://SD_ILS/0/SD_ILS:363740 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Bordwell, David.&#160;Thompson, Kristin, 1950-<br/>Yer Numaras&#305;&#160;PN1995 B617 2013<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> From light to byte toward an ethics of digital cinema ent://SD_ILS/0/SD_ILS:276960 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Hadjioannou, Markos.&#160;Project Muse.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://muse.jhu.edu/books/9780816682072/">Full text available: </a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Digital visual effects in cinema the seduction of reality ent://SD_ILS/0/SD_ILS:243047 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Prince, Stephen, 1955-&#160;Project Muse.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://muse.jhu.edu/books/9780813552187/">Full text available: </a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Film sanat&#305;: bir giri&#351; ent://SD_ILS/0/SD_ILS:315186 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Bordwell, David.&#160;Thompson, Kristin.&#160;Y&#305;lmaz, Ertan.&#160;Onat, Emrah Suat.<br/>Yer Numaras&#305;&#160;PN1995 B617 2012<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> Late Godard and the Possibilities of Cinema. ent://SD_ILS/0/SD_ILS:376917 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.jstor.org/stable/10.1525/j.ctt1ppvj2">http://www.jstor.org/stable/10.1525/j.ctt1ppvj2</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Screening the unwatchable spaces of negation in post-millennial art cinema ent://SD_ILS/0/SD_ILS:278935 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Gr&oslash;nstad, Asbj&oslash;rn.&#160;Palgrave Connect (Online service)<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Arnheim for film and media studies ent://SD_ILS/0/SD_ILS:266920 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Higgins, Scott, 1968-<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.tandfebooks.com/isbn/9780203876916">Click here to view</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955) ent://SD_ILS/0/SD_ILS:279455 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Pollock, Griselda.&#160;Silverman, Maxim.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;EBSCOhost <a href="http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> The filmmaker's eye learning (and breaking) the rules of cinematic composition ent://SD_ILS/0/SD_ILS:145872 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Mercado, Gustavo.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;ScienceDirect <a href="http://www.sciencedirect.com/science/book/9780240812175">http://www.sciencedirect.com/science/book/9780240812175</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> The filmmaker's eye : learning (and breaking) the rules of cinematic composition ent://SD_ILS/0/SD_ILS:342468 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Mercado, Gustavo.<br/>Yer Numaras&#305;&#160;ONLINE(342468.1)<br/>Elektronik Eri&#351;im&#160;<a href="http://www.tandfebooks.com/isbn/9780080959344">Click here to view</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Sinemac&#305;n&#305;n g&ouml;z&uuml; : sinemada kompozisyon kurallar&#305;n&#305; kullanmay&#305; (ve y&#305;kamay&#305;) &ouml;&#287;renmek ent://SD_ILS/0/SD_ILS:317835 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Mercado, Gustavo.&#160;Taylaner, Sel&ccedil;uk.<br/>Yer Numaras&#305;&#160;TR892 M4719 2011<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~2<br/> Seeing fictions in film the epistemology of movies ent://SD_ILS/0/SD_ILS:231703 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Wilson, George M.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Great flicks scientific studies of cinematic creativity and aesthetics ent://SD_ILS/0/SD_ILS:233554 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Simonton, Dean Keith.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780199752034.001.0001</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Pretty : film and the decorative image ent://SD_ILS/0/SD_ILS:375526 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Galt, Rosalind.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.jstor.org/stable/10.7312/galt15346">http://www.jstor.org/stable/10.7312/galt15346</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Film art : an introduction ent://SD_ILS/0/SD_ILS:134303 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Bordwell, David.&#160;Thompson, Kristin, 1950-<br/>Yer Numaras&#305;&#160;PN1995 .B617 2010<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~2<br/> A Philosophy of Cinematic Art ent://SD_ILS/0/SD_ILS:237810 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Gaut, Berys.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://dx.doi.org/10.1017/CBO9780511674716">Access by subscription</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Sanat olarak sinema ent://SD_ILS/0/SD_ILS:317323 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Arnheim, Rudolf&#160;Tamdo&#287;an, Rabia &Uuml;nal<br/>Yer Numaras&#305;&#160;PN1994 A74 2010<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> Memento ent://SD_ILS/0/SD_ILS:265984 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Kania, Andrew.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;<a href="http://www.tandfebooks.com/isbn/9780203876596">Click here to view</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Filmosophy ent://SD_ILS/0/SD_ILS:134254 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Frampton, Daniel<br/>Yer Numaras&#305;&#160;PN1995 .F675 2006<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> Sinemada g&ouml;stergeler ve anlam ent://SD_ILS/0/SD_ILS:116495 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Wollen, Peter.&#160;Aracag&ouml;k, Zafer.&#160;Do&#287;an, B&uuml;lent.<br/>Yer Numaras&#305;&#160;PN1995 .W65 2004<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> Moving pictures a new theory of film genres, feelings and cognition ent://SD_ILS/0/SD_ILS:233433 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Grodal, Torben Kragh.<br/>Yer Numaras&#305;&#160;ONLINE<br/>Elektronik Eri&#351;im&#160;Oxford scholarship online <a href="http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001">http://dx.doi.org/10.1093/acprof:oso/9780198159834.001.0001</a><br/>Format:&#160;Elektrnik Kaynak<br/>Durum&#160;&Ccedil;evrimi&ccedil;i K&uuml;t&uuml;phane~1<br/> Cinema, theory, and political responsibility in contemporary culture ent://SD_ILS/0/SD_ILS:134573 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;McGee, Patrick.<br/>Yer Numaras&#305;&#160;PN1995 .M378 1997<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> Action and image : dramatic structure in cinema ent://SD_ILS/0/SD_ILS:143412 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Armes, Roy.<br/>Format:&#160;Kitap<br/>Durum&#160;~0<br/> Interpreting films : studies in the historical reception of American cinema ent://SD_ILS/0/SD_ILS:135710 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Staiger, Janet.<br/>Yer Numaras&#305;&#160;PN1995 .S6735 1992<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/> The classical Hollywood cinema : film style &amp; mode of production to 1960 ent://SD_ILS/0/SD_ILS:133928 2024-11-14T04:26:16Z 2024-11-14T04:26:16Z Yazar&#160;Bordwell, David.&#160;Staiger, Janet.&#160;Thompson, Kristin, 1950-<br/>Yer Numaras&#305;&#160;PN1993.5.U6 B655 1985<br/>Format:&#160;Kitap<br/>Durum&#160;Beytepe K&uuml;t&uuml;phanesi~1<br/>