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Introduction / André Dombrowski -- What Was Impressionism? What Is an Impression? Definitions and New Directions. Impressionism and Criticism / Marnin Young -- Rethinking the Origins of Impressionism / Mary-dailey Desmarais -- Monet in the 1880s / Marc Gotlieb -- As a Glass Eye / Briony Fer -- Figuring Perception / Michael Marrinan -- Pater, Impressionism, and the Undoing of Sense / Jeremy Melius -- The Impressionist Mind / Ségolène Le Men -- Painting as Object. Impression, Improvisation, and Premeditation / Gloria Groom, Kimberley Muir -- Piquer, Plaquer / Nancy Locke -- John Singer Sargent's Lady with a Blue Veil and the Matter of Paint / Susan Sidlauskas -- New Visual Media and the Other Arts. Painting Photographing Ballooning / Carol M Armstrong -- Series and Screens / Marine Kisiel -- Critical Impressionism / Anne Higonnet -- James Mcneill Whistler / Caroline Arscott -- Impressionism and Identity. Cassatt's Alterity / Hollis Clayson -- Bazille, Degas, and Modern Black Paris / Denise Murrell -- Expert Hands, Infectious Touch / Mary Hunter -- Painting the Prototype / Jonathan D Katz, André Dombrowski -- Public and Private. Revival and Risk / Nina L Dubin -- "The Little Dwarf and the Giant Lady" / Felix Krämer -- Renoir, Impressionism, and the Value of Touch / Martha Lucy -- Morisot's Urbane Ecologies / Alison Syme -- Incorporating Impressionism / André Dombrowski -- World Impressionism. "Plume Mania" / Simon Kelly -- Home and Alienation in the Colonies / Todd Porterfield -- Impressionism in Japan / Takanori Nagaï -- Impressionism in Argentina / Laura Malosetti Costa -- Turkish Impressionism / Ahu Antmen -- Impressionism and Naturalism in Germany / Alex Potts -- Criticism, Displays, and Markets. Degenerate Art / Neil Mcwilliam -- Impressionism through the Prism of New Methods / Félicie Faizand de Maupeou -- Against the Grain / Mary Morton -- Are Museum Curators "Very Special Clients?" / Sylvie Patry -- The Museum of Impressionism, 1947 / Martha Ward.

Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini-tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement's exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century's first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

Kütüphane	Materyal Türü	Demirbaş Numarası	Yer Numarası	[[missing key: search.ChildField.HOLDING]]	Durumu/İade Tarihi
Çevrimiçi Kütüphane	E-Kitap	597299-1001	ND192 .I4 C66 2021 EB		Wiley E-Kitap Koleksiyonu