<P>Introduction</P><P> </P><P></P><OL><P></P></OL><P>Motherhood, Clothing and Class <I>in Los aires difíciles</I>.</P><OL><P></P></OL><OL><P></P></OL><P>Memory, Masculinity and the Changing Spanish Family in <I>El corazón helado.</P><OL></I><P></P></OL><P>The Feminised Quest Romance in <I>Inés y la alegría</I>.</P><OL><P></P><P></P></OL><P>Perpetration-Induced Traumatic Stress and the Gendered Reading Trope in <I>El lector de Julio Verne</I>.</P><OL><P></P></OL><P>Internal Exile and Resistance in<I> Las tres bodas de Manolita</I>.</P><OL><P></P><P></P></OL><P>Perpetration and the Stigma of Illness in <I>Los pacientes del Dr. García</I>.</P><P> </P><OL><P></P></OL><P>Conclusion</P>