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Yazar

(4)

Mercado, Gustavo.

(2)

Barker, Jennifer Lynde.

(1)

Berliner, Todd, 1964- author.

(1)

Bettinson, Gary, author.

(1)

Galt, Rosalind.

(1)

(1)

Grodal, Torben Kragh.

(1)

Grønstad, Asbjørn.

(1)

Hadjioannou, Markos.

(1)

Higgins, Scott, 1968-

(1)

(1)

(1)

Palgrave Connect (Online service)

(1)

Pierson, Ryan, author.

(1)

Pollock, Griselda.

(1)

Prince, Stephen, 1955-

(1)

Project Muse, distributor.

(1)

Silverman, Maxim.

(1)

Simonton, Dean Keith.

(1)

Wilson, George M.

(1)

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Konu

Motion pictures -- Aesthetics.

(17)

Cinematography -- Technological innovations.

(2)

Cinematography.

(2)

Digital cinematography.

(2)

Memory in motion pictures.

(2)

Motion pictures -- Philosophy.

(2)

World War, 1939-1945 -- Motion pictures and the war.

(2)

Animated films -- History and criticism.

(1)

Animation (Cinematography) -- Philosophy.

(1)

Animation (Cinematography) -- Technique.

(1)

Anti-fascist movements in motion pictures.

(1)

Arnheim, Rudolf -- Criticism and interpretation.

(1)

Cinematography -- Special effects.

(1)

Cold War in motion pictures.

(1)

Creation (Literary, artistic, etc.)

(1)

Cruelty in motion pictures.

(1)

Electronic books.

(1)

Emotions and cognition.

(1)

Fascism in motion pictures.

(1)

Fascist aesthetics.

(1)

Film genres -- Psychological aspects.

(1)

Form (Aesthetics)

(1)

Godard, Jean-Luc, 1930- -- Criticism and interpretation.

(1)

Holocaust, Jewish (1939-1945), in motion pictures.

(1)

Identity (Psychology) in motion pictures.

(1)

Memento (Motion picture)

(1)

Motion picture audiences -- Psychology.

(1)

Motion picture audiences.

(1)

Motion picture industry -- Technological innovations.

(1)

Motion pictures -- China -- Hong Kong -- Aesthetics.

(1)

Motion pictures -- Italy -- Aesthetics.

(1)

Motion pictures -- Italy -- History.

(1)

Motion pictures -- Moral and ethical aspects.

(1)

Motion pictures -- Political aspects.

(1)

Motion pictures -- United States -- History -- 20th century.

(1)

Motion pictures and the arts.

(1)

Motion pictures.

(1)

Movement, Aesthetics of.

(1)

Narration (Rhetoric)

(1)

Nuit et brouillard (Motion picture)

(1)

Philosophy in motion pictures.

(1)

Pornographic films -- History and criticism.

(1)

Psychic trauma in motion pictures.

(1)

Resnais, Alain, 1922-2014 -- Criticism and interpretation.

(1)

Technology in motion pictures.

(1)

Violence in motion pictures.

(1)

Wong, Kar-wai, 1958- -- Criticism and interpretation.

(1)

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1.

Figure and force in animation aesthetics için kapak resmi

Figure and force in animation aesthetics

Figure and force in animation aesthetics

Yazar

Pierson, Ryan, author.

Yer Numarası

TR897.5 .P53 2019

Elektronik Erişim

Oxford scholarship online https://dx.doi.org/10.1093/oso/9780190949754.001.0001

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2.

Hollywood aesthetic : pleasure in American cinema için kapak resmi

Hollywood aesthetic : pleasure in American cinema

Hollywood aesthetic : pleasure in American cinema

Yazar

Berliner, Todd, 1964- author.

Yer Numarası

PN1995 .B3655 2017

Elektronik Erişim

Oxford scholarship online http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001

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3.

The sensuous cinema of Wong Kar-wai film poetics and the aesthetic of disturbance için kapak resmi

The sensuous cinema of Wong Kar-wai film poetics and the aesthetic of disturbance

The sensuous cinema of Wong Kar-wai film poetics and the aesthetic of disturbance

Yazar

Bettinson, Gary, author. Project Muse, distributor. Project Muse.

Yer Numarası

ONLINE(324413.1)

Elektronik Erişim

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4.

A cinema of poetry aesthetics of the Italian art film için kapak resmi

A cinema of poetry aesthetics of the Italian art film

A cinema of poetry aesthetics of the Italian art film

Yazar

Luzzi, Joseph. Project Muse.

Yer Numarası

ONLINE(322828.1)

Elektronik Erişim

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5.

The aesthetics of antifascist film radical projection için kapak resmi

The aesthetics of antifascist film radical projection

The aesthetics of antifascist film radical projection

Yazar

Barker, Jennifer Lynde.

Yer Numarası

ONLINE

Elektronik Erişim

Click here to view

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6.

From light to byte toward an ethics of digital cinema için kapak resmi

From light to byte toward an ethics of digital cinema

From light to byte toward an ethics of digital cinema

Yazar

Hadjioannou, Markos. Project Muse.

Yer Numarası

ONLINE

Elektronik Erişim

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7.

Digital visual effects in cinema the seduction of reality için kapak resmi

Digital visual effects in cinema the seduction of reality

Digital visual effects in cinema the seduction of reality

Yazar

Prince, Stephen, 1955- Project Muse.

Yer Numarası

ONLINE

Elektronik Erişim

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8.

Late Godard and the Possibilities of Cinema. için kapak resmi

Late Godard and the Possibilities of Cinema.

Late Godard and the Possibilities of Cinema.

Yer Numarası

ONLINE

Elektronik Erişim

http://www.jstor.org/stable/10.1525/j.ctt1ppvj2

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9.

Screening the unwatchable spaces of negation in post-millennial art cinema için kapak resmi

Screening the unwatchable spaces of negation in post-millennial art cinema

Screening the unwatchable spaces of negation in post-millennial art cinema

Yazar

Grønstad, Asbjørn. Palgrave Connect (Online service)

Yer Numarası

ONLINE

Elektronik Erişim

EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=412099

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10.

Arnheim for film and media studies için kapak resmi

Arnheim for film and media studies

Arnheim for film and media studies

Yazar

Higgins, Scott, 1968-

Yer Numarası

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11.

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955) için kapak resmi

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and fog (1955)

Yazar

Pollock, Griselda. Silverman, Maxim.

Yer Numarası

ONLINE

Elektronik Erişim

EBSCOhost http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=456538

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12.

The filmmaker's eye learning (and breaking) the rules of cinematic composition için kapak resmi

The filmmaker's eye learning (and breaking) the rules of cinematic composition

The filmmaker's eye learning (and breaking) the rules of cinematic composition

Yazar

Mercado, Gustavo.

Yer Numarası

ONLINE

Elektronik Erişim

ScienceDirect http://www.sciencedirect.com/science/book/9780240812175

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